Sunset Styria — Personal Planner

by Rosi Feist

Price incl. sales tax, excl. shipping

Sunset Styria

Rosi FeistPersonal Planner
€ 19,99 excluding shipping fees

Printed to order in Europe

Ready for shipping in 2 to 3 working days!
Reliable shipping & easy returns

Product details

Personal Planner - Product details

Our two planners for 2019 comprise weekly, monthly and yearly overviews spanning the period from January 2019 - December 2019. In addition to this, our daily reflection journals provide motivational guidance and space for self-assessment. The smooth, flexible cardboard cover is printed with a design. Complete with lined pages for note-taking.

Content 168 pages
Format A5
Material 280 g/m² flexible cardboard cover; 90 g/m² white paper
Binding Thermal binding
Print Type Digital printing
Language English

Made to order and printed in Europe at the highest quality standards.

Product details

Our two planners for 2019 comprise weekly, monthly and yearly overviews spanning the period from January 2019 - December 2019. In addition to this, our daily reflection journals provide motivational guidance and space for self-assessment. The smooth, flexible cardboard cover is printed with a design. Complete with lined pages for note-taking.

Featuring weekly, monthly and yearly calendars.
Our Daily Reflection Journals contain to-do lists and space for reflection and personal development.
In our standard personal planners, there is space for note-taking on the right-hand side of each weekly overview.

About the artist

Rosi Feist

I love the trivial. I could find inspiration for my next motif in a garden chair or a rubbish bin.

Rosi Feist

Ruler, paper, scissors—Rosi Feist aka Thomas Müller doesn’t need much more for his handmade paper collages. The freelance designer and photographer currently lives in Berlin, where he also runs the travel blog “Urban Tenting” together with his wife. Many of his motifs are inspired by trips to the USA—abandoned motels, desert cacti, secluded service stations and trivial objects are thrust into the spotlight through vivid colours. The result is a collection of minimalist pop art which reflects a nostalgic banality of everyday life, reducing the USA to a semantic, synecdochical Americana of barren topographies and consumerist signs.

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