Buddha’s Standpoint in the Earthly Life No. 3 (1920) by Hilma af Klint
This minimalist, dual-toned abstract painting is part of Hilma af Klint’s groundbreaking exploration of spiritual consciousness and the metaphysical realm. A perfect circle, split into black and white halves, symbolizes the Buddha's detachment from dualities—light and dark, material and spiritual, self and other.Hilma af Klint, Buddha’s Standpoint, 1920 abstract painting, spiritual abstraction, early modernism, duality in art, esoteric symbolism, sacred geometry, female abstract artist, metaphysical painting, mystical art,
Buddha’s Standpoint in the Earthly Life No. 3 (1920) by Hilma af Klint
This minimalist, dual-toned abstract painting is part of Hilma af Klint’s groundbreaking exploration of spiritual consciousness and the metaphysical realm. A perfect circle, split into black and white halves, symbolizes the Buddha's detachment from dualities—light and dark, material and spiritual, self and other.Hilma af Klint, Buddha’s Standpoint, 1920 abstract painting, spiritual abstraction, early modernism, duality in art, esoteric symbolism, sacred geometry, female abstract artist, metaphysical painting, mystical art,
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