James McNeill Whistler’s Symphony in White, No. 1: The White poster with aluminum frame
James McNeill Whistler’s Symphony in White, No. 1: The White Girl (1862) revolutionised portraiture with its austere palette and musical title. Draped in white satin against a neutral background, the model’s serene gaze and minimalist composition emphasise harmony of tone over narrative. A landmark of Aestheticism, this portrait remains a striking example of subtle elegance and artistic restraint.James McNeill Whistler, Symphony in White No. 1, The White Girl, Aestheticism, 19th-century portrait, Pre-Raphaelite influence, tonal harmony, modernist precursor, minimalist composition, satin dres
James McNeill Whistler’s Symphony in White, No. 1: The White poster with aluminum frame
James McNeill Whistler’s Symphony in White, No. 1: The White Girl (1862) revolutionised portraiture with its austere palette and musical title. Draped in white satin against a neutral background, the model’s serene gaze and minimalist composition emphasise harmony of tone over narrative. A landmark of Aestheticism, this portrait remains a striking example of subtle elegance and artistic restraint.James McNeill Whistler, Symphony in White No. 1, The White Girl, Aestheticism, 19th-century portrait, Pre-Raphaelite influence, tonal harmony, modernist precursor, minimalist composition, satin dres