Evolution, No. 13, Group VI (1908) by Hilma af Klint hahnemühle
Evolution, No. 13, Group VI (1908) by Hilma af Klint
Part of her visionary Paintings for the Temple, Evolution No. 13 embodies Hilma af Klint’s exploration of human and spiritual development. This piece illustrates a symbolic journey of duality, unity, and transcendence—merging human forms, spirals, and radiant energy patterns in a balanced yet complex composition. Feminine and masculine forces intertwine in cosmic symmetry, guided by af Klint’s esoteric belief systems including Theosophy and Rosicrucianism. The work invites the viewer to consider evolution not as a physical process alone, but
Evolution, No. 13, Group VI (1908) by Hilma af Klint hahnemühle
Evolution, No. 13, Group VI (1908) by Hilma af Klint
Part of her visionary Paintings for the Temple, Evolution No. 13 embodies Hilma af Klint’s exploration of human and spiritual development. This piece illustrates a symbolic journey of duality, unity, and transcendence—merging human forms, spirals, and radiant energy patterns in a balanced yet complex composition. Feminine and masculine forces intertwine in cosmic symmetry, guided by af Klint’s esoteric belief systems including Theosophy and Rosicrucianism. The work invites the viewer to consider evolution not as a physical process alone, but
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