I saw a passenger jet leaving condensation trails in the sky overhead. It seemed so high and far, I imagined it was actually leaving the atmosphere and escaping planet Earth. I took a few shots of the jet, with the clouds intentionally dominating the frame, closing on the plane, creating an even stronger illusion of its relative size and distance. I then post-processed the image to match what I visualized when I took it: a post-apocalyptic environment where only a few managed to escape the plant, leaving the rest of us here.
I saw a passenger jet leaving condensation trails in the sky overhead. It seemed so high and far, I imagined it was actually leaving the atmosphere and escaping planet Earth. I took a few shots of the jet, with the clouds intentionally dominating the frame, closing on the plane, creating an even stronger illusion of its relative size and distance. I then post-processed the image to match what I visualized when I took it: a post-apocalyptic environment where only a few managed to escape the plant, leaving the rest of us here.
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"Twelve significant photographs in any one year is a good crop | Ansel Adams"
I’m Tal, married, with three children (two girls and a boy) and one dog (sometimes more). I am from Israel but also from Canada.
I started learning photography at thirteen when spending time with my younger cousin at our grandmother’s house in the Kibbutz. From there it became a hobby, a profession, forgotten hobby and now somewhat of a part-time profession \ full-time obsession.
I work in the intersection between Creative and Documentary photography. To paraphrase the description of the great American photographer Sam Abell, my style of photography is documentary in the sense that I record the world as it is, however, it has transcendent qualities that start at the documentary level, yet open to interpretation on an aesthetic level as well.
I am inspired by the natural world and especially by the seas and oceans.