This motif combines the aesthetics of the 1950s with a futuristic vision of the year 2120 in a fascinating way. The centrepiece is an abandoned petrol station in the typical style of the 1950s: worn petrol pumps in bright orange, a blue weathered roof and authentic retro signs. However, the scene is set in the distant future, which is emphasised by the imposing blue robot and the vast, barren landscape. A man with a timeless look stands thoughtfully in front of the petrol pump - as if mediating between the past and the future. (AI)
This motif combines the aesthetics of the 1950s with a futuristic vision of the year 2120 in a fascinating way. The centrepiece is an abandoned petrol station in the typical style of the 1950s: worn petrol pumps in bright orange, a blue weathered roof and authentic retro signs. However, the scene is set in the distant future, which is emphasised by the imposing blue robot and the vast, barren landscape. A man with a timeless look stands thoughtfully in front of the petrol pump - as if mediating between the past and the future. (AI)
Premium quality ceramic mugs
Material
Material
100% ceramic with a high-quality, shiny Orca coating.
Details
Details
Large capacity for tea and coffee creations.
Care instructions
Care instructions
100% dishwasher-safe and microwave-safe.
High quality print
High quality print
High quality thanks to lightfast sublimation process and extra protective coating.
Sustainably produced
Sustainably produced
Low waste, green electricity and a heart for social commitment.
Produced in Germany
Produced in Germany
All ceramic mugs are produced and printed by a trusted local partner.
"Artificial intelligence is the new paintbrush - it expands the creative spectrum of art to infinity."
Welcome to the Headless Monkeys...
...I have always been fascinated by impressive images - images that tell stories, convey emotions and bring spaces to life. This enthusiasm eventually led me to create digital art.
Using my tablet and laptop, I immerse myself in AI-supported creative processes that are as spontaneous as they are diverse. Unlike many artists, I rarely approach a painting with a fixed plan. Even if I have a rough idea in my head, I let the creative flow determine the direction. The path is open, the result often surprising - that's where the magic lies for me and that's what "Headless Monkeys" stands for.