A dream terrain stitched from time and myth—Elsewhere All At Once blends three iconic landscapes into one surreal and placeless world. The tranquil mirror of Mount Fuji from Kashiwabara (1896, Kazumasa Ogawa) rises into the storied silhouette of Frith’s 1858 Pyramids of El-Geezeh, all crowned by the ethereal dunes of White Sands, New Mexico, captured by NASA. Together, these scenes dissolve geography and chronology to conjure a quiet, cinematic wonder—where volcanoes and pharaohs meet before cloud-like dunes. A portal for the wall and a pilgrimage for the eye.
A dream terrain stitched from time and myth—Elsewhere All At Once blends three iconic landscapes into one surreal and placeless world. The tranquil mirror of Mount Fuji from Kashiwabara (1896, Kazumasa Ogawa) rises into the storied silhouette of Frith’s 1858 Pyramids of El-Geezeh, all crowned by the ethereal dunes of White Sands, New Mexico, captured by NASA. Together, these scenes dissolve geography and chronology to conjure a quiet, cinematic wonder—where volcanoes and pharaohs meet before cloud-like dunes. A portal for the wall and a pilgrimage for the eye.
Part print lab, part time machine, part treasure hunt, Press Play mixes original works, adapted prints, and a deep curatorial dive through dusty archives in search of forgotten gems and visual oddities from art history’s fringes. Some are entirely our own invention; others are collaborations across centuries.
Art that’s smart, strange, a little subversive—and tastefully irreverent.
Press Play to begin.